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Published by Martyn on September 30, 2016. Full size is 160×260 pixels.

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Recent Posts: winchcombearchivecollection

Mid Century Romanticism 6: The Neo-Ruralists in war and peace

The spikey dreaminess of John Craxton’s 1943 work above evidences contrasting emotions illuminated by Palmeresque hills and sickle moon in the background. Craxton and his fellow gay artist, John Minton, for me the leading lights of the post war ruralist scene, certainly showed at least in their early work that Palmer was not forgotten as […]

Mid Century Romanticism 5: Pastoralist Art of the 20s and 30s

In shows at the Archive Collection in 2017 and 2018 we traced something of the origins and development of the Pastoral tradition in British art through exhibitions of the school of Samuel Palmer, the Palmeresque early print output of Graham Sutherland and the ruralist etchings of Robin Tanner. The Village (above), a 1925 etching by […]

Mid Century Romanticism : 4 Artistic Design for Advertising

Alongside the comparative explosion of creativity in artistic book design (see earlier blog) was the appearance of well printed commercially originated art sponsored by the Oil major, Shell, and others. Working with a number of top artists of the 50s and 60s such as Rowland Hilder (above – Kent) they produced a number of educational […]

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